|
![[Under Construction]](images/undercon.gif)








| |
|
Biographical Sketch : Master Jorge V. Penafiel
Rank and Status:
7th Dan Tang Soo Do (Korean Martial Art)
Qualified Master Instructor Balintawak Arnis (Filipino Martial Art)
School: Cincinnati Balintawak Club
c/o Lincoln Martial Arts Academy.
2231 Waycross Rd.
Forest Park, Ohio 45240
Balintawak Class Schedule: T & Th : 8:30 9:30 |
 |
Martial
Arts History:
Okinawan
Karate 1968 1969: Philippines
Tang Soo Do - 1979 Present: Ohio, USA
Aikido 1989: Ohio, USA
Balintawak Arnis 1989 Present: Ohio and North Carolina, USA
Other
Martial Arts Forms and Special Training- Tae Kwon Do, Muay Thai, Filipino
Boxing.
Filipino
Martial Arts (FMA)Form of Arnis/Eskrima/Kali - Balintawak Style:
|
What is Balintawak Arnis?
|
|
|
 |
|
Balintawak Arnis is a
FMA combat system developed by Great Grand Master Anciong Bacon in the
1940s. Believed to be named after a small street in Cebu, Philippines
where its first club was founded. It was developed to enhance and
preserve the combative nature of FMA which were then being watered down
by other FMA styles.
Various FMA forms of
the art of Arnis, utilize long range fighting skills and are geared more
towards an offensive style of fighting. Balintawak difference is that it
uses close range fighting exercises, applying all the known foul blows
conceivable to street fighting. It was also conceived to supplement and
correct the missing defensive fundamentals of Arnis. |
|
|
Its primary training
tool is the single stick or also known as olisi or garote
- eschewing the traditional double sticks and sword and dagger. However,
it is not just a stick or blade-fighting art. Balintawak fighters are
equally adept at both weapons and empty-hand fighting. In Balintawak,
the arnis or garrote is only used to enhance and train the individual
for bare hands fighting, and to achieve perfection in the art of speed,
timing and reflexes necessary to acquire defensive posture and fluidity
in movement. Balintawak aims to harness ones natural body movement and
awakens ones senses to move and react. It affords the practitioner an
experience and revelation in the fundamentals of street fighting. |
|